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...Rilke reflection
#1
Posted 07 December 2006 - 09:26 PM
A tree ascended there. Oh pure transcendence!
Oh Orpheus sings! Oh tall tree in the ear!
And all things hushed. Yet even in that silence
a new beginning, beckoning, change appeared.
Creatures of stillness crowded from the bright
unbound forest, out of their lairs and nests;
and it was not from any dullness, not
from fear, that they were so quiet in themselves,
but from simply listening. Bellow, roar, shriek
seemed small inside their hearts. And where there had been
just a makeshift hut to receive the music,
a shelter nailed up out of their darkest longing,
with an entryway that shuddered in the wind--
you built a temple deep inside their hearing.
From The Sonnets to Orpheus 1.1.
Oh Orpheus sings! Oh tall tree in the ear!
And all things hushed. Yet even in that silence
a new beginning, beckoning, change appeared.
Creatures of stillness crowded from the bright
unbound forest, out of their lairs and nests;
and it was not from any dullness, not
from fear, that they were so quiet in themselves,
but from simply listening. Bellow, roar, shriek
seemed small inside their hearts. And where there had been
just a makeshift hut to receive the music,
a shelter nailed up out of their darkest longing,
with an entryway that shuddered in the wind--
you built a temple deep inside their hearing.
From The Sonnets to Orpheus 1.1.
#2
Posted 08 December 2006 - 10:29 PM
Tonights reading....going nicely with Chopra...
II, 29 of The Sonnets to Orpheus
Silent friend of many distances, feel
how your breath enlarges all of space.
Let your presence ring out like a bell
into the night. What feeds upon your face
grows mightily from the nourishment thus offered.
Move through transformation, out and in.
What is the deepest loss that you have suffered?
If drinking is bitter, change yourself to wine.
In this immeasurable darkness, be the power
that rounds your senses in their magic ring,
the sense of their mysterious encounter.
And if the earthly no longer knows your name,
whisper to the silent earth: I'm flowing.
To the flashing water say: I am.
II, 29 of The Sonnets to Orpheus
Silent friend of many distances, feel
how your breath enlarges all of space.
Let your presence ring out like a bell
into the night. What feeds upon your face
grows mightily from the nourishment thus offered.
Move through transformation, out and in.
What is the deepest loss that you have suffered?
If drinking is bitter, change yourself to wine.
In this immeasurable darkness, be the power
that rounds your senses in their magic ring,
the sense of their mysterious encounter.
And if the earthly no longer knows your name,
whisper to the silent earth: I'm flowing.
To the flashing water say: I am.
#6
Posted 09 December 2006 - 12:14 AM
Ahh yes, the Sonnets to Orpheus.
My two favorites would have to be 3 and 17.
3
Gods are able. Tell how a man, though,
could possibly thread the lyre's narrow modes?
Vacillating at the heart's dark crossroads,
he beholds no temple of Apollo.
Song, you teach us, is beyond achievable desire,
it is rather the sheer reality of immanent being:
simplicity itself for deity,
but how may we partake? When will you inspire
our being, bestowing earth and stars by turn?
This has no relation, youth, to your enamored care:
mouth forced wide by the thrust of your voice - learn
to set aside impassioned music. It will end.
True singing breaths a different air.
Air without object. A gust within God. A wind.
17
Where, in what blessed garden of eternally flowing waters,
on what trees, in the cups of which tenderly leafless flowers,
ripen those exotic fruits of consolation ?
Those delicious rarities, of which you may discover one,
in your meadow's trampled poverty. Often, in wonder,
you stand marveling at the size of the fruit,
over its soundness and unblemished exterior,
perfectly amazed that some careless bird or jealous worm
away beneath the root
has not deprived you of it. Are there indeed such trees,
where angels slide, tended mysteriously in slow degrees
by obscure hands, able, though not ours, to sate our hungers?
Could we ever, the lot of us but shadows and shades,
through any act of ours (too soon ripe- too soon decayed,)
disturb the calm composure of those blissful summers?
My two favorites would have to be 3 and 17.
3
Gods are able. Tell how a man, though,
could possibly thread the lyre's narrow modes?
Vacillating at the heart's dark crossroads,
he beholds no temple of Apollo.
Song, you teach us, is beyond achievable desire,
it is rather the sheer reality of immanent being:
simplicity itself for deity,
but how may we partake? When will you inspire
our being, bestowing earth and stars by turn?
This has no relation, youth, to your enamored care:
mouth forced wide by the thrust of your voice - learn
to set aside impassioned music. It will end.
True singing breaths a different air.
Air without object. A gust within God. A wind.
17
Where, in what blessed garden of eternally flowing waters,
on what trees, in the cups of which tenderly leafless flowers,
ripen those exotic fruits of consolation ?
Those delicious rarities, of which you may discover one,
in your meadow's trampled poverty. Often, in wonder,
you stand marveling at the size of the fruit,
over its soundness and unblemished exterior,
perfectly amazed that some careless bird or jealous worm
away beneath the root
has not deprived you of it. Are there indeed such trees,
where angels slide, tended mysteriously in slow degrees
by obscure hands, able, though not ours, to sate our hungers?
Could we ever, the lot of us but shadows and shades,
through any act of ours (too soon ripe- too soon decayed,)
disturb the calm composure of those blissful summers?
#7
Posted 09 December 2006 - 01:14 PM
QUOTE(Live. Die. Bleed. @ Dec 9 2006, 01:14 AM) <{POST_SNAPBACK}>
Ahh yes, the Sonnets to Orpheus.
My two favorites would have to be 3 and 17.
3
Gods are able. Tell how a man, though,
could possibly thread the lyre's narrow modes?
Vacillating at the heart's dark crossroads,
he beholds no temple of Apollo.
Song, you teach us, is beyond achievable desire,
it is rather the sheer reality of immanent being:
simplicity itself for deity,
but how may we partake? When will you inspire
our being, bestowing earth and stars by turn?
This has no relation, youth, to your enamored care:
mouth forced wide by the thrust of your voice - learn
to set aside impassioned music. It will end.
True singing breaths a different air.
Air without object. A gust within God. A wind.
17
Where, in what blessed garden of eternally flowing waters,
on what trees, in the cups of which tenderly leafless flowers,
ripen those exotic fruits of consolation ?
Those delicious rarities, of which you may discover one,
in your meadow's trampled poverty. Often, in wonder,
you stand marveling at the size of the fruit,
over its soundness and unblemished exterior,
perfectly amazed that some careless bird or jealous worm
away beneath the root
has not deprived you of it. Are there indeed such trees,
where angels slide, tended mysteriously in slow degrees
by obscure hands, able, though not ours, to sate our hungers?
Could we ever, the lot of us but shadows and shades,
through any act of ours (too soon ripe- too soon decayed,)
disturb the calm composure of those blissful summers?
My two favorites would have to be 3 and 17.
3
Gods are able. Tell how a man, though,
could possibly thread the lyre's narrow modes?
Vacillating at the heart's dark crossroads,
he beholds no temple of Apollo.
Song, you teach us, is beyond achievable desire,
it is rather the sheer reality of immanent being:
simplicity itself for deity,
but how may we partake? When will you inspire
our being, bestowing earth and stars by turn?
This has no relation, youth, to your enamored care:
mouth forced wide by the thrust of your voice - learn
to set aside impassioned music. It will end.
True singing breaths a different air.
Air without object. A gust within God. A wind.
17
Where, in what blessed garden of eternally flowing waters,
on what trees, in the cups of which tenderly leafless flowers,
ripen those exotic fruits of consolation ?
Those delicious rarities, of which you may discover one,
in your meadow's trampled poverty. Often, in wonder,
you stand marveling at the size of the fruit,
over its soundness and unblemished exterior,
perfectly amazed that some careless bird or jealous worm
away beneath the root
has not deprived you of it. Are there indeed such trees,
where angels slide, tended mysteriously in slow degrees
by obscure hands, able, though not ours, to sate our hungers?
Could we ever, the lot of us but shadows and shades,
through any act of ours (too soon ripe- too soon decayed,)
disturb the calm composure of those blissful summers?
Lovely! Which translation are you using?
#9
Posted 09 December 2006 - 01:41 PM
QUOTE(apocalyptica @ Dec 9 2006, 01:22 PM) <{POST_SNAPBACK}>
Rilke is a German poet.
http://en.wikipedia.org/wiki/Rainer_Maria_Rilke
#11
Posted 09 December 2006 - 06:22 PM
QUOTE(k8te @ Dec 9 2006, 12:14 PM) <{POST_SNAPBACK}>
Lovely! Which translation are you using?
Robert Hunter
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